Jun
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Farhad Mann
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消防员从一家被大火烧毁的“虚拟空间工厂”的废墟里救出了身受重伤的乔布,此时的他处于奄奄一息的状况之下,并且失去了过去的所有记忆,由于过度烧伤,医生还对他进行了整容手术,醒来后的乔布已经完全失去了从前的面貌。但沃克带领的正从事虚拟空间研究的“虚拟空间研究所”却已经暗中盯上了乔布,他们对乔布进行了虚拟现实实验,以此来帮助他重建了思想,最终借助他的力量来实现不可告人的目的。 时间来到未来的洛杉矶。彼得和特拉维斯、哈维、肖恩等几个小伙伴住在城市地下的隧道里,过着流浪的生活,几个人都酷爱网络虚拟游戏,在一次进入虚拟空间时,彼得竟然遇到了乔布,两人相见甚欢,乔布告诉彼得自己被困在了虚拟空间,而网络虚拟空间即将毁灭,他也会随之消失,只有一个叫本杰明?特雷斯的人能够救他,恳求彼得帮他找到特雷斯并将他带到虚拟空间里。彼得一口答应,但找到特雷斯后却发现那是个十足的怪人,他隐居在人迹罕至的戈壁,对陌生的彼得并不友好。直到彼得提到奇容芯片的事,他才答应前往
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乔恩·阿米尔
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海伦(西格妮·韦弗 Sigourney Weaver 饰)是一名犯罪心理分析师,在多年的工作中,她以其非常出色的推理能力破获了诸多连环凶杀案,在为自己赢得声誉的同时,也遭到了来自恶徒的攻击,之后,受惊的海伦决定足不出户的蜗居在家中,工作和生活皆依靠强大的网络完成。就这样,很多年过去了。 最近,几起相继发生的杀人案件让女警珍妮(霍利·亨特 Holly Hunter 饰)很是头疼,走投无路的她只得向经验丰富的海伦求救。种种线索表明此次的案件和海伦曾经办过的案件有着千丝万缕的联系,在珍妮的劝说下,海伦决定站出来找到事件的真相。而踌躇满志的海伦不知道的是,可怕的凶手已经来到了她的身边。
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Jim Charleston,George Manasse
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无数袭击人类的蚂蚁的出现,使男女主人公体会到什么才是真正的恐怖。他们眼睁睁看着自己的同伴遭到袭击,变成白骨。对于这种可怕的生物,任何措施都变成徒劳。 昆虫学专家詹姆斯·康拉德在洛杉矶的自然历史博物馆工作。他来到了偏僻的阿拉斯加寻找片刻的安宁。他本想在这期间不在思考任何关于昆虫的问题,但是事与愿违,他卷入了一场生死攸关的灾难之中。他所面临的是他见过的最可怕的昆虫……
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克里欧·巴纳德
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Last at the Festival with 2017’s rural noir Dark River, a selection in the Platform programme, writer-director Clio Barnard returns to the Bradford, West Yorkshire setting of her earlier films for this tumultuous, fiercely affecting midlife love story. A bundle of good humour and nervous energy, Ali (Adeel Akhtar) is a British Pakistani working-class landlord who forges close bonds with his tenants. One day, while picking up one of his tenants’ children from school, he offers a lift to Ava (Claire Rushbrook), an Irish-born teacher and single mother of five. They bond almost instantly through their love of music, though Ali favours the high energy of Buzzcocks and hip-hop while Ava takes refuge in the quieter comforts of Bob Dylan and Karen Dalton. Despite their divergent backgrounds, differences in their stages of life, and the colour of their skin, despite the fact of Ali’s failing marriage and Ava’s fraught relationship with her adult and adolescent children, each finds themself irresistibly drawn to the other. But can their mutual desire transcend a barrage of personal obstacles? Inspired by people Barnard encountered while making her acclaimed features The Arbor and The Selfish Giant, Ali & Ava is a film that feels profoundly rooted in lived experience, blending a tender emotional complexity with an at times bracing depiction of trauma and grief. Akhtar and Rushbrook’s finely hued performances speak to the setting’s cultural diversity and tribal loyalties while yielding a vulnerability that’s alternately heart-wrenching and joyous. Their story serves as a reminder that it is sometimes the least likely connections that are the ones most worth pursuing.
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安德鲁·莱格
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Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
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理查德·唐纳
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一次偶然中,瑞格(梅尔·吉布森 Mel Gibson 饰)与莫道(丹尼·格洛弗 Danny Glover 饰)这对好搭档撞破了一起走私南非金币的违法勾当,正义感爆棚的两人决心绝不对此坐视不管,于是展开了一系列充满了进场刺激的火爆追击。 随着调查的深入,一个名叫艾金(乔斯·雅克兰德 Joss Ackland 饰)的男人浮出了水面,他的真实身份竟然是享有外交豁免权的南非外交官,瑞格和莫道陷入了举步维艰的境地。两人被上司派去保护一名叫盖茨(乔·佩西 Joe Pesci 饰)的男人,他曾经是帮助艾金洗钱的同谋,如今成为了警方的污点证人。很快,发生的一系列事件就让瑞格和莫道明白了,保护盖茨甚至比追击艾金还要危险和困难。
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詹姆斯·麦克特格
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影片虚构了爱伦·坡死前“神秘”的5天里发生的事情。 巴尔的摩发生了一件母女同时被害的残忍凶杀案,当地警官艾迈特(卢克·伊万斯 Luke Evans 饰)调查后发现凶手的犯罪手段和爱伦·坡(约翰·库萨克 John Cusack 饰)小说中的手段一模一样。正当爱伦·坡被叫去警局询问时发生了另一件凶手案,手法依旧和参考他的小说。了解到凶手的方法后,艾迈特邀请爱伦·坡担当顾问协助破案。而随着案件的进一步深入,艾迈特发现,爱伦·坡会成为这个残忍杀人凶手的下一个行凶目标。正当大家全力保护爱伦·坡的安全时,岂料凶手竟然绑架了的他情人艾米丽(爱丽丝·伊芙 Alice Eve 饰)。到底谁才是真正的凶手,爱伦·坡是不是能用自己的小说来揭开这场杀人的游戏呢?
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宾·纳伦
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故事发生在19世纪,贾兰(米林德·索曼 Milind Soman 饰)带领着他的土匪帮派藏匿在喜马拉雅山谷里,等待着洗劫路过的商队。果然,前方隐隐约约传来了马蹄声,在大开杀戒后,贾兰一行人收获颇丰。让贾兰没有想到的是,商队里的一个名为乌什娜(米兰妮·让帕诺米 Mylène Jampanoï 饰)的女人久久不愿意离开,她说她曾经在梦里见过贾兰,而贾兰也有此感觉,于是,贾兰带上了乌什娜。 起初,贾兰并不是十分相信这个行踪诡异的女人,但乌什娜的性格开朗乐观,又聪明过人,很快就博得了团队里成员们的信任。根据乌什娜提供的情报,贾兰的队伍捷报连连赚的盆满钵满。
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Eric Paul Erickson,Jon Kondelik
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一场来势汹涌的风暴引发全球性的连续降温,降雪和冰冻使得城市运行全部瘫痪,世界处于一片冰封之中。纽约市政府正发动群众前往马瑟斯空军基地的地堡,以期民众在更大的风暴来临时躲过灾难。布里十分渴望通过追踪风暴收取天气异常的数据传输给身为科学家的父母,为找出这场风暴的原因贡献力量,遂与男友泰勒驱车追赶风暴中心。却在追踪的过程中遭遇道路塌方,与许多大学生一起,被困在红杉社区大学,雪崩堵住了学校的所有出口。幸而布里已经与父母取得联系,在等待救援的同时,运用自己的所学知识组织大家自救,他们要在永远被冰封之前逃离这里……
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Quentin Reynaud
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Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France. The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.
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约翰·莫洛斯基
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美国某海军陆战队的直升机频频出事,少校凯利负责调查。一天,凯利在坠落的直升机里偶然发现螺旋桨的残损齿轮有质量问题,于是,凯利拿着那个有问题的齿轮准备报告顶头上司霍华德。 但令凯利万万没想到的是,这块残损的齿轮,其中藏有军火商和军方要员相互勾结,以劣质飞机零件进行幕后金钱交易的真相。而自己的顶头上司霍华德正是军方的主要成员。少校凯利因为知情,而招来了杀身大祸。为了保护6岁的儿子,他奋不顾身地扑倒在强尼身上,最后被暗杀者用乱枪打死。儿子强尼受了高度惊吓,从此不说一句话,整天拿着那个玩具,从不离手。 妻子芭芭拉并不知丈夫被杀的真正原因,反而把发现齿轮的问题,打电话告诉了丈夫的上司霍华德,结果正中霍华德的下怀,因此暴露了隐藏地点,以至招至来了更加凶猛的追杀。 霍华德得知少校凯利的妻子和儿子还活着,便开始了筛子般的疯狂围捕。从此,母子俩亡命天涯、无处藏身。每天都过着惊慌恐惧、东躲西藏的逃亡日子。在万般无奈的情况下,母子二人逃到了凯利过去的老战友伯恩在山里的隐居地,以求保护。 但母子俩无论躲藏到哪里,这群坏蛋总能找到他们。因为军方事前安置了一个无线电跟踪器,放在芭芭拉的车上,后来又被儿子无意识地装到了自己的玩具上,所以母子二人总是躲不过军方的跟踪。 最后,芭芭拉在丈夫战友们的帮助下,救出了儿子强尼,并和战友们一起,驾驶多架直升飞机,击毁了杀害丈夫的元凶霍华德乘坐的汽车,阴谋者最终得到了应有的下场。
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V.T. Nayani
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Canadian director V.T. Nayani’s feature debut, starring Devery Jacobs and Priya Guns, is a queer love story about two young women — one Iranian and Kanienʼkehá꞉ka, the other Tamil — living in Toronto and dealing with difficult family legacies.






























